Saturday, November 28, 2020

Hybrids, Half-breeds, and Spirits - An Intro to The New Dawn Universe

 

In the TV show Stargate, there’s an episode called “Citizen Joe” where an average barber has been receiving visions of… everything that happens in the show. As he does not know the reality of the Stargate program, he figures his muse is feeding him stories, and he begins to share them. As he shares, his friends complain about the twists and turns, and the fact that there’s more than one type of bad guy. At one point he yells “It’s not confusing! It’s complex!”

I sometimes describe my work as Firefly meets Stargate meets Jericho, but the part of Stargate I’m thinking about is not the militaristic side. Every book faces a different culture, and allows the crew to be the alien explorer. Also, in Stargate there are these powerful ascended beings who occasionally interfere in human affairs, but mostly stay out of the way.

In the New Dawn series, I create a world where beings that exist on an alternate plane interact with different cultures in different ways. Some humans have spirits, but most don’t. Some of these spirit-carrier humans give birth to half-breeds. Some humans develop metahuman (hybrid) powers on their own. Each culture reacts to its special mix, and decides whether to welcome or reject these gifts.

I define a few basic classes of beings:


  • Spirit – A non-corporeal alien who has psychic and psionic abilities. 
  • Spirit-carrier – A human who has become host to a spirit, willingly or unwillingly. The carrier may be aware of the spirit’s power, but does not control them.
  • Half-breed – The child of two spirit-carriers. The half-breed has distinct physical characteristics: taller than humans, jackal-like face, pointed teeth and talons, wings. Half-breeds have paranormal powers like spirits, as well as the ability to shift between parallel realms. Half-breeds can display a range of paranormal abilities, but tend to have one dominant one.
  • Hybrid – A human who has psychic, telepathic, telekinetic, or other ability. Abilities occur at varying strengths. Unlike half-breeds, hybrids tend to have one paranormal ability, and they look human. Hybrids are likely to be the child of a single spirit-carrier, but don’t have to be.
  • Echo – these are rare humans, and can echo the power of a hybrid or half-breed. (More about them in Book 8!)

I decided to draw a picture of a half-breed once. I’m not that much of an artist, but I wanted to see the creature I had been writing about. There’s an artist I love called Sasha R. Jones who paints very similar creatures, although their work has a bit more avian influence. You should totally check out their work. It’s absolutely breath-taking.

In the New Dawn universe, I often speak of two realms or two planes: the physical plane and the spirit plane. (Very creative, I know.) Each of these beings has a different presence in each realm. The humans and the half-breeds are the only ones that are the same in both realms (although in the spirit-plane, the human is confined to their sphere of consciousness).

When I wrote it, the world seemed to form naturally, but in retrospect, I see the influence of not only science fiction, but of supernatural thrillers and stories of spiritual warfare. It has been an incredible world to explore: spaceships, other worlds, exploring lost civilizations, and finding the threads that bind humanity together.

It’s not confusing. It’s complex. And through it all, there is hope for tomorrow.

 

Check out The New Dawn series on Amazon today.


Tuesday, November 17, 2020

Sci-fi Books featuring meta-humans, post-humans, and humans of diverse power

Greetings readers!

I am looking forward to the release of my new book Premonition, a sci-fi adventure set in my New Dawn universe. The New Dawn Series features a world inhabited by non-corporeal aliens, who occasionally "possess" the humans who have come to settle there. Over the centuries, some humans have naturally developed powers that tap into this spirit realm. Telekinesis, teleportation, memory reading, conjuring, healing, and more come into play.

Premonition - books featuring meta humans


I recently asked some fellow sci-fi authors to tell me about their books featuring humans of extraordinary power, and here is what they shared!

***

From author Dan Melson: 

In my Empire of Humanity setting, about 1 in 7 humans currently has extraordinary powers, the proportion gradually rising.  They are part of life, used commercially, scientifically developed, and those who develop powers are taught in organized fashion.

I have nine books currently out in three different series in that setting. You can find all the books on my author page: https://www.amazon.com/author/danmelson

***

From author Marc Neuffer:

My book Startlighter fits the bill. The main character's powers include the ability to sense life and resources at a distance. Specially trained Explorers communicate telepathically at a long distance.

Check it out at: https://www.amazon.com/StarLighter-Diary-explorer-Marc-Neuffer-ebook/dp/B084Q23X6L

***

From author Nathan Smith:

My debut novel, Light, was exactly that: a telepathic, telekinetic massage therapist who tries to save Pride from someone who is much, much better at telepathy and telekinesis than he is. He should have probably practiced with someone other than his cat.

https://www.boldstrokesbooks.com/books/light-by-nathan-burgoine-648-b

***

From author Jeff Deischer:

I have a space opera trilogy featuring an interstellar alliance of psychic warrior-priests!

https://www.amazon.com/Shadow-Sund-Brotherhood-Sabours-Book-ebook/dp/B00GI4F21E/

***

From author Christie Meierz:

My Tolari are humans stolen from Earth about 6 thousand years ago, genetically engineered to have strong empathic abilities, and then placed on Beta Hydri IV for reasons I haven't revealed yet. Crime among the Tolari is low because everyone around you knows if you're up to something.

But the ruling caste, on the other, is ALWAYS up to something. It's a given.

The series starts here with the PRISM Award winning debut novel:

https://www.amazon.com/gp/product/B009MU13LY/

***

From author Stephen B. Pearl:

Cloning Freedom by Stephen B. Pearl will be available Dec 4, 2020, from Brain Lag Publishing: http://www.brain-lag.com/books/cloning-freedom.php 

Human clones have alien DNA grafted into their genome granting them various alien abilities so that they can fight a group of alien pirates bent on the subjugation of earth in the early 21st century.

What these enhanced humans don’t know is that it is actually over a thousand years post contact and they are in fact performers in a full VR plus emotion entertainment.

When an effective death sentence is placed against Rowan, the telekinetic in the group, by the show’s producer Ryan, a studio tech ex-Space Services Captain, liberates her and now must get her out of United Earth Systems jurisdiction into an area where Rowan is a person under the law.

***

And naturally, I have to close with my own book!

From author Valerie J. Mikles:

In my New Dawn series, I have spirit-carriers, half-breeds, and hybrids, each with their own connection to a spirit realm. This connection affords them different powers, from teleportation, to healing, to the ability to fly a spaceship with the power of your mind! In each story, the crew of Oriana encounters a different culture, and comes to understand how they've been affected by this evolution in human ability.

Get the whole series now!

***

I have this premonition that some of these books may be added to your To-Be-Read pile in the near future. Keep reading.

Tuesday, November 10, 2020

Premonition (Excerpt)

 

Premonition - The New Dawn Book 7

Counting down to the release of Premonition, the exciting new addition to The New Dawn series.


*~*

Seeing the future is not the same as saving it.

When the first premonition hits, Amanda thinks it’s a hallucination. She doesn’t have psychic power; she echoes the powers of others. No one on the ship has that power, but the Confluence stones they acquired on Terrana seems to have extended her range. Her sudden ability to see the future has done little to help her crew prepare.

Led off course, their ship finds Nola, a peaceful farming town celebrating their annual Festival. The moment she enters the city, Amanda feels more echoes of power than she can control.

Overwhelmed by both the Festival and the spirit power in the city, Amanda begins a hunt for a powerful human-spirit half-breed that can help her, and finds herself at the center of the city’s battle to purge spirit-kind from their midst.

Can Amanda’s borrowed powers give the crew the edge the need?

Find out in this epic sci-fi thriller, because knowing the future is only half the battle.

*~*

EXCERPT:

The streets of Nola were bustling, the music rising, the vibrant multi-colored banners glittering in the evening light. The air smelled of perfumes, pheromones, and alcohol, the scent getting thicker as Festival-time approached. Prince Corin Toulane hated Festival.

“Corin, you look like a walking tapestry in these robes. I don’t think this style will catch on,” his friend Judith said. She greeted him by the Palace gate with a friendly swat on the arm, causing the beads on his sleeve to rattle. As Prince of Textiles, he enjoyed watching the fashion trends he created sweep through the city, but his Festival robe was one-of-a-kind. After his first Festival, he went around collecting the fallen beads and gems, and decided to make a robe that captured the spirit of the event. He’d been adding to it for two years now. The left sleeve was purple and gold, the right green and silver. The reds went down the back, creating an ombre effect. 

“I’m hoping it makes me unapproachable,” he grinned, kissing her on the cheek. He and Judith had been friends since childhood. She had come of age for Festival a year before him and seemed to love the energy of it. Her purple, blue, and pink robe was shorter than his, cinched at the waist, and adorned with rhinestones and sapphires. The spray-on dyes in her hair matched the three colors of the dress, creating a marble pattern when swept into an up-do.

“I’m taking you to a new venue opened by the Prince of Metallurgy. It’s smaller. More intimate,” she said, clasping both her hands around his. 

“I’m following you,” he said.  

When she smiled, the Festival lights caught the glitter on her lips. Before he came of age, he used to help his father plan for Festival. He loved choosing the color themes and designs. Then he’d attended one. The city-wide party was little more than an attempt to bolster the population through drunken copulation. The realization had killed the magic of the event. Now he dreaded seeing the Festival banners fly. He stuck close to Judith and prayed for the night to end quickly.

“I had to make reservations two weeks in advance. Final selection was by lottery.” 

“Lottery,” Corin huffed. “They see the name Toulane and there’s nothing random about that selection.”

As the son of the town magistrates, Corin was accustomed to selective treatment, especially for solicitations to Festival venues. Corin had trained hard to achieve his rank, but his appointment to the office of Prince meant next to nothing, because he lived in his parents’ shadows.

“Small venue,” she said. “No one is there for show. No one is making fake conversation.”

“It’s fake as long as it’s Festival,” he said, pulling a bottle from his side pocket and taking a sip. He kept a bottle of non-fermented pomegranate juice handy because he didn’t like losing his mind to the aphrodisiac-laced Festival wine. To others, it looked like he was drinking.

“You know who gets to skip Festival?” she asked. “Your sister. Get me pregnant and—”

“You know who doesn’t get to skip? My sister’s husband,” Corin interrupted. “If I get you pregnant again, who am I going to spend my night with next Festival? I couldn’t get through this without you.”

Judith giggled and kissed the back of his hand, leaving a trace of glitter on his skin. He felt their inevitable future—one day, he’d have children with her. There was no one else he loved. And he wished he loved her as more than a friend.

“Try this,” Judith said, producing a pinky-sized purple vial from her cleavage. “It’s Kan. It’s a new one.”

Corin sighed. Festival drugs were called recreational, but they were far more than that. They didn’t lower inhibition between couples; they fueled lust. Last year, he and Judith had tried Etna, and Corin couldn’t remember anything after that first drop. Judith got pregnant and then miscarried a few weeks later. The loss was devastating, and no amount of Etna could make him forget that pain.

“You don’t have to,” she said, tucking the vial away. She slid her hand up the sleeve of his robe to rub his arm.

“What’s it do?” he asked.

“No fertility enhancers, pheromones, or mood-shifters. It heightens your sense of touch,” she grinned, her hand sliding farther into his robe and across his back. Festival robes were designed to double as a covering in the event of public sex.

“Sniff, mix, drop?” he asked, checking her eyes for permission before sliding his fingers down the front of her dress for the vial.

“Drop,” she said.

Corin unscrewed the lid and let a single drop fall on his tongue. A tingle spread through his body, the warmth pooling where Judith’s hand touched his skin. But it didn’t set his body aflame or make him feel out of control. He felt content and comfortable.

“I’ll have some more of that,” he decided, unscrewing the cap again.

“At the party,” Judith promised, taking the vial from him and tucking it away again. “I’m saving a drop for Alyssa.”

Corin pressed his lips together. Alyssa had joined them at Festival before, but she was interested in Judith, not Corin. At Festival, same-sex coupling was taboo, but Alyssa and Judith could get away with it as long as he was there. Corin would rather the women kiss each other than him, so he didn’t complain.

Judith kissed his cheek, and he shivered at the heightened sensation. The Kan didn’t just amplify physical sensation, it amplified his hesitance. His nostrils burned, too.

“Do you smell that?” he asked, pushing her hand out from under his robe.

“Yes,” Judith whispered, her eyes darting about. Then she pointed to a plume of black smoke rising into the dome not half a block away. “Fire!”

Corin swore and ran toward the smoke. Flames rose from the third story of a metal and wood manor. Someone inside threw themselves against the window but was unable to break the moon-slate reinforced glass.

“Call for help,” Corin told Judith, searching for a way to get to the upper levels. There was a faded outline where the escape ladder should have been bolted on.

“Who? Everyone is at Festival!” Judith cried.

“Anyone can haul water!” Corin said. This was the venue he and Judith had been heading toward. They would have been trapped inside!

A uniformed officer came around the building, his jacket pulled up to shield his nose and mouth from the smoke. Corin recognized the him from the Palace.

“Officer Belgard!” he called.

Belgard’s eyes widened and he dropped the jacket, looking from Corin to the building. “How did you get out?” he snapped.

“I was never in,” Corin said. “The escape ladder is gone from this side. Is there one around back?”

Belgard looked up at the building, his cheeks twitching, his expression unreadable. “No. They’ll burn,” he said, seeming disconnected from the tragedy of his words.

“We need a ladder—”

“We will do nothing. The venue is filled with Fotri. Good riddance,” Belgard spat, the numbness giving way to vitriol. 

Corin’s jaw dropped, his blood boiling. Fotri was a name for people who chose same sex partners. People like Alyssa and Judith. Even Corin’s mother expressed anti-Fotri sentiments.

Suddenly, Corin felt a club bash him across the shoulders and he fell to his knees, stunned. Belgard grabbed him by the robe, dragging him toward the burning building. 

“What are you doing?” Corin cried.

“You wanted a way in. Burn with your Fotri friends,” Belgard growled. 

“But I’m not—” Corin began. Even if he were Fotri, that didn’t justify Belgard throwing him into a burning building! Pulling a canister from his robes, he sprayed the Festival drug in Belgard’s face, disorienting the man.

The people trying to escape the upper level could not crack the glass. Corin needed a ladder and a hammer. If he were in the textile district, he’d know exactly where to go. 

“Judith!” Corin called.

Someone jumped on his back and clamped a hand over his mouth, hissing at him to be quiet.

“It’s a good thing you were late,” Alyssa growled, sliding off of him. Her exposed skin was smeared with soot. “Come on!” she said, dragging him away from the fire. She hopped on one leg, favoring an injured foot.

“What? No!” Corin cried, jerking away from her. He quickly shrugged out of his robe and wrapped it around her bare shoulders. “How did you get out?”

“I was on the balcony. Suddenly, all the locks clicked, and I couldn’t get back in,” Alyssa said. “Festival robes do not make reliable escape ropes, but at least... there’s no way in, Corin.”

“We have to try. We can’t leave them to die,” Corin stammered, pointing to the sealed building. The smoke had to be getting out somehow.

“A service officer just killed a house full of Fotri,” Alyssa hissed. “There was no random lottery, Corin. That fire was meant for us.”

She sprayed something in his face, stunning him the way he’d stunned Belgard, then she shoved a pill in his mouth and forced him to swallow. She was getting him out whether he wanted to go or not.

*~*

Premonition is currently available for pre-order. Order the whole series today!

Saturday, November 7, 2020

Do you feel like you are looking at a world that is fresh out of brains?


The outlook is not as bleak as you think!

This handy-dandy guide is guaranteed to start your apocalypse off on the right foot. (Assuming it hasn’t falling off yet.)



***

I wrote a new short story and it is free to my newsletter subscribers. Get subscribed automatically when you pick up your free copy. Motivational stories, top tens, checklists... everything you need to get your apocalypse going!


Monday, November 2, 2020

Hope for Tomorrow - The Inspiration for "Premonition"

 The New Dawn series started as a screenplay, then a series of novellas that I workshopped, stripped for parts, and expanded into novels. In the expansion process, I realized that the first half of Book 1 had a different villain than the second half, and the draft was split into two: The Disappeared and Sequestered. That’s why the first four days of the two books overlap.

About half way through writing the first book, I got terribly stuck with my characters, and so I did something that always made me happy. I made a fanfic. You see, by this point in the process, I knew my characters very well. I had two full novellas, I had scenes from multiple books slowly filling up files in a google drive. I had the whole series plotted. And yet, I was stuck.

And so I wrote a story called “Festival of Pairing.” I wrote it as a fan fiction of my own work. In fanfic, you don’t have to introduce the characters or explain the world. You just write the story because the audience already knows it. In a matter of weeks, I produced the nearly complete first draft of Premonition, the story of Hawk meeting and rescuing his Prince. The story of Danny and Sky getting past their inhibitions, of Tray and Saskia deepen their love, and the story of Amanda finding hope that her future wasn’t lost. "The Festival of Pairing" was the first fully drafted book of the series, and I decided to slide it into the 7th slot, where I think it fits beautifully.

The story has evolved significantly since that first draft, but at the heart of it is the power of hope. The hope that there are those in the world that love us, and that tomorrow will be better than today is a driving force.

The culture the crew encounters in this story is struggling to keep their population up, and homophobic sentiments permeate the culture. Same sex couple keep to the shadows, they’re bullied into false marriages to keep up appearances, and sometimes they’re beaten or killed. When I wrote this story, I was still very new to queer cultures and identities. I was still transitioning from closet ally into a confident one. I worried my books would be rejected because they had queer characters, and I hadn’t even come to realize my own queer identity yet.

I thought about evolving the story and removing the homophobia subplot, but just because I have evolved in thinking doesn’t mean the rest of the world is there. Acknowledgment and acceptance were important steps for me to take, and this story is like a time capsule looking into a fear that I am now past.

I didn’t set out to write a story about two parents learning to accept their queer child. I set out to write a fanfic. A sci-fi adventure with a cast that I loved in a world where supernatural things seem to happen all around them. But the hope for tomorrow comes in the love and acceptance of others. There’s power in everything we do, and you never know when your hello is someone else’s hope for tomorrow.

*~*

PREMONITION
COMING DECEMBER 5th

AVAILABLE FOR PRE-ORDER NOW 


Seeing the future is not the same as saving it.


When the first premonition hits, Amanda thinks it’s a hallucination. She doesn’t have psychic power; she echoes the powers of others. Her sudden ability to see the future has done little to help her crew prepare.


Can Amanda’s borrowed powers give the crew the edge the need?

 

ORDER THE WHOLE SERIES NOW!


 

 

Saturday, October 24, 2020

Finding Books with Asexual Characters!

 For Asexual Awareness Week this year, I decided to see if I could find other asexual authors and/or authors writing asexual characters. I posted in my Queer Sci-Fi group and got a number of responses from the authors.

This list includes the authors who reached out to me. I tried to divide loosely by category. Some of these authors have multiple books with asexual representation. A few of the authors are using #ownvoices.

As I was compiling this list, I was referred to The Aromantic and Asexual Characters Database! It's a bit overwhelming, but once you've checked out the authors below, you should go there to find more matches.

The categories below include:

  • Science Fiction
  • Speculative Fiction
  • Fantasy
  • Urban/Contemporary Fantasy
  • FantasyRomance
  • Romance

SCIENCE FICTION

In my psychic sci-fi book, the Qinali Virus, Amber is aromantic and asexual. It’s not a plot point, but she does have a conversation about it with some of the other characters.

https://www.amazon.com/gp/product/B085WGLZQY

*~*

From YA Sci-fi author Hawthorn H Wright:  In my story A Boy Alone, Charlie, while not the protagonist, is non-binary and ace and is one of several people in a large poly household who contentedly move along completely outside any such dynamics.

https://www.amazon.com/Boy-Alone-Proxima-Alliance-ebook/dp/B07RS1KVNP

*~*

From Sci-fi author SI Clarke: Devon, one of the central characters in my science fiction series, is ace. In book 2, Devon gets married — but I wouldn’t call the relationship a romantic one. They love each other deeply, but they’re not romantic.

https://www.goodreads.com/book/show/48902524-devon-s-island

*~*

SPECULATIVE FICTION:

From Pulp Mash-up author Cynthia Ward: Dr Krüger, the villain in my Miss Lucy Harker Adventures, is an aromantic asexual. There are a few secondary ace aro characters. The Adventures are pulp mash-ups, so, with the exception of my Renfield character, Miss Margaretha Rudolph, the ace aro characters are 'as received.' Their ace and aro orientations are relevant to their characters and behaviors but the plots do not hinge on them.

Book 1 is The Adventure of the Incognita Countess -  https://www.amazon.com/dp/B06X3T8DWB/

*~*

From Paranormal Mystery author Jenna Rose: John Tilney, one of the leads in the Kanaan & Tilney series is a biromantic asexual! 

http://kanaanandtilneyinvestigations.com

*~*

From Dystopian Fiction author Jack Archer: Several characters are asexual and aromantic. The main character is asexual but enters a romantic relationship with another character. 

https://www.amazon.com/dp/B0881C9VS6

*~*

FANTASY

From Fantasy author Minerva Cerridwen: My novella "The Dragon of Ynys" came out September 15. The main character, Sir Violet, is aromantic and asexual - and very fond of cinnamon rolls. I wouldn't call his asexuality a plot point, but to me it's very much a part of who he is and how he interacts with other characters. I'm aromantic and asexual myself, so the representation is own voices. There are also lesbian and trans characters in the supporting cast. And, of course, the dragon!

https://atthisarts.com/featured/the-dragon-of-ynys/

*~*

From Fantasy author Ava Kelly: Havesskadi's main protagonist is an asexual panromantic dragon. The asexuality is not the focus of the plot, although it does play a role in some points of it, especially in how dragons understand love, affection, and intimacy. 

https://ninestarpress.com/product/havesskadi/

*~*

From fantasy author Bey Deckard: In Kestrel’s Talon (fantasy), one of the three MC’s is ace. I don’t know if it would be considered a main plot point. 

http://geni.us/KestrelsTalon

*~*

From YA Fantasy author D.j. Ruggiero: The lead of my YA series has always known she's romantic but discovers she's asexual while navigating a whole host of other problems at Hawthorn Academy.

http://www.amazon.com/dp/B084JFXKW7

*~*

From Fantasy author Heather Rose Jones: I didn't specifically write Antuniet in The Mystic Marriage to be demisexual, but that's what she ended up. And writing her helped me figure out my own asexuality. 

https://alpennia.com/books/mystic-marriage

*~*

From Fantasy author Sara Codair: Mel, one of the two main characters in Life Minus Me, is demisexual and panromantic. Her orientation is more incidental than a plot point. There is no romance or sex in this story. 

https://amzn.to/3gPN4rX

*~*

URBAN/CONTEMPORARY FANTASY

From Urban Fantasy author Gus Li: This is an older one of mine, but there are two asexual characters. As an urban fantasy and not a romance, it's not a crucial plot point, but it does come into play. 

https://www.amazon.com/Incubus-Honeymoon-Arcana-Imperii-Book-ebook/dp/B07CQQ2N22/

*~*

From Contemporary Fantasy author Dawn R. Schuldenfrei: Tara is an asexual human in my contemporary fantasy, Liminal Hearts. Working on finishing up the next book, which will have an ace/aro protag.

https://www.amazon.com/Liminal-Hearts-Rules-Chaos-Book-ebook/dp/B07TJJVT8S

*~*

FANTASY/ URBAN FANTASY ROMANCE

From Urban Fantasy author Alex Silver: The third book in my urban fantasy series, Psions of SPIRE, has an ace protagonist (the second book has an ace side character as the protagonist's best friend). Finn, the protagonist of book 3, identifies as ace. They are romantically attracted mostly to masc presenting individuals and they end up in a relationship that includes some sex acts, mostly from a place of enjoying physical touch/sensual connection with their partner. 

Www.amzn.com/B07VGTF3NB

*~*

From Urban Fantasy author Angel Martinez: An urban fantasy romance - the character's asexuality (homoromantic asexual) does play a part in navigating a growing relationship with an allosexual person:

https://www.amazon.com/Uncommonly-Tidy-Poltergeists-Angel-Martinez-ebook/dp/B01MRZV0P8/

*~*

From Fantasy author Antonia Aquilante: I have demisexual main characters in three books published so far. All are fantasy romance, and I'd say the character's demisexuality plays some role in navigating the romances in the books. 

Start here: http://www.antoniaaquilante.com/the-merchants-love.html

*~*

A.L. Williams

In my paranormal romance, there is a non-binary gray-sexual panromantic. Their sexuality is a major plot point.

https://www.amazon.com/dp/B089G8N99X

*~*

ROMANCE

From Comedy Romance author Rosalie Jardin: My book is a romantic comedy. The main character, Kay Glenn, is demisexual. She discovers that she is a demi throughout the course of the book. She is originally written as ace since she comments that she isn't interested in sexual activities, but as she emotionally bonds with her former locker mate, she realizes that is changing. They even discuss her feelings toward the end of the novel.

https://www.amazon.com/dp/B08CVVCL94

*~*

From Contemporary Romance author Grace Kilian Delaney: Dancing with a Star is a sweet contemporary romance between Xander, a movie star, and Quinn, an asexual fashion model. Quinn's sexuality is not the main focus of the story though it is discussed with Xander.

https://www.amazon.com/dp/B084RRMS31

*~*

From Paranormal Historical Romance author A.L. Lester: The Flowers of Time is set in 1780 and is a f/enby paranormal historical romance. It's very slow burn. Jones, the enby MC is grey-ace. If you'd like more info you can find it on my website at 

https://allester.co.uk/find-books/the-flowers-of-time/

*~*

Thanks for reading! Please support these amazing authors and tell them I sent you!

Monday, October 19, 2020

Finding my truth in writing my own voice


By the time I set out to write The Qinali Virus, I had been an out and proud aromantic/ asexual for many years. I debated whether I wanted to write a character who was too much like me. But since there are so few people like me in the books I read, I went for it. People shouldn’t have to choose between a handful of books for representation. There should be so many that people can actually choose their favorite and feel safe to dislike some without derailing the genre.

The Qinali Virus features an aromantic asexual astronomer who learns she has the ability to astral project. Amber grew up in a utopic society, and one of the features is that gender identities are not thrust on young children. People get to choose.

The notion to use gender-neutral pronouns in the story came from a podcast I listened to, where I heard the salutation “Mx.” used for the first time. Mx. is the gender-neutral form of Mr./Mrs./Ms. I am sound oriented. I have seen Mx. used in writing in various queer safe spaces on the internet, but hearing turned it into something real for me. I have a PhD, but being called Doctor Mikles never did anything for me. I know other people feel euphoric about the achievement when they hear it. I’ve read that when some women get married and they hear themselves called Mrs. Husband’s Name, they get euphoric. In my case, Mx. is the salutation that stirs emotion. It makes me happy to hear it spoken out loud. And so I decided all the adults in the story would use it by default. 

It wasn’t until I finished my first draft and started editing that I realized Amber might be agender. There’s a discussion about how people choose pronouns in her world, and she mentions that she wished she’d stayed neutral. Her realization, and the fact that she’s very much a picture of me, helped me realize that I am agender. Over the years, I had started to assume that my lack of attachment to my gender was related to my asexuality, but in the last year, I’ve started being able to acknowledge it as a separate, but important part of my identity. 

While this book was intended to be a stand-alone, I've started percolating ideas for a sequel, and in it, I hope to explore more of Amber's desire to shed her gender.


Monday, October 12, 2020

I must be an alien (an asexual's perspective)

 


I wrote a song!

I didn't know I was ace growing up. All I really understood was that the people on TV who were most like me were not human. They were missing out on the "core of the human experience." But as a sci-fi fan, I was always sort of okay with my alien identity.

I was once doing a twitter Q&A for queer scientists, and I remember saying something about how asexuality defines something I'm not. Sure it's an identity label, but it's a label that has ruled out all other labels in its category. The same with aromantic and agender. It doesn't describe something I feel, but rather the absence of a feeling that seems pervasive in others.

I can honestly say that it was only in the past few years, when I started to embrace nerdy music about fandom, anxiety, cats, dinosaurs, and soda addiction that I started to realize that I share so much more of the human experience than my childhood led me to believe. I can be human. (I'm working on a song about that, too, but music is not my main writing.)

So in the last verse of this song, I talk about all that I am and what defines me as a human being. And if all that isn't enough, then I want to be an alien. So take a listen!



Thursday, October 8, 2020

SALE - Trade Circle is on sale for $0.99

 


As we're leading up to asexual awareness week, I'm having a sale on my books featuring asexual characters. I wrote in a previous post how writing this book helped me understand my identity. I was so thrilled that one of my reviewers loved the ace character in this book. I hope you love it, too!

Tuesday, October 6, 2020

Discovering my queer identity: I wrote aces before I knew the word...


Trade Circle: The New Dawn Book 3
Before I ever took on the label of asexual, I drafted a book called “Trade Circle.” I wrote about a girl whose childhood friend had fallen in love with her, but she didn’t feel that way about him. She had never even thought of him in that way, and she tells him so. When my editor read that line, he asked me “why would she lie.” From his perspective, of course she’d thought of him that way. Of course, she must have considered it. Fortunately, in the time between the draft and the publication, I learned about asexuality, and I could put a name to my character's truth. She wasn't lying. It hadn't occurred to her any more than it had occurred to me. In the final draft of the book, I use the label, so that there is no doubt.

Another example… before I got knee deep into my novel writing, I was writing lots of fanfic. Mostly Firefly, but I have Chuck, Torchwood, Big Bang Theory, and a few others… Not all of it is G-rated, because after writing a few episode-esque Firefly novellas, I learned that adding romance got me more attention and comments. As I had no real experience, I was going mostly on things I could research or learn from other people's writing. (My experience with college boys started making a lot more sense once I learned what non-aces fantasize about.)

Anyway, in the Big Bang Theory, Sheldon made it very clear in the early episodes that he wasn’t interested in relationships. When he finally met up with Amy, it became clear that he was not interested in a physical relationship. It really bothered me (1) that Amy flipped the script and suddenly wanted more from him, and (2) that she kept pressuring him to be physical when he made it clear he didn’t want to. I was very happy when they broke up, because it became clear they were incompatible in this manner. And it made me sad, so I wrote, because I thought she needed to listen and respect him. I didn’t realize I’d head-cannoned him as being like me—being asexual. I’m sad the writers decided not to go that way.

It kind of struck me how important it is to address identity (even lack of identity) in a clear way. People can make their own head canons and deny what you wrote. (Fan pairings in fanfic is enough to prove that.) For me, calling a character asexual isn’t just about identifying what they feel, but in confirming 100% to readers like me that what they feel is real and valid, and they are in fact seeing themselves.

Thursday, October 1, 2020

Guess What? I'm Asexual!

 Asexual Awareness Week is coming soon! Why do I care? Well, because I am asexual. I do not experience sexual attraction. I’m also aromantic, meaning I don’t experience romantic attraction. I discovered these labels when I was 32, and was so relieved that I wrote a story about it. A screenplay, actually. 

You can check out my comedic web series “Aces” about a group of asexual friends surviving in a hyper-sexual world. Check out the whole channel. “Aced It: Human Studies” is one of my favorites. I have a few more scripts in the queue, and I’d love to make more as soon as we’re out of quarantine and can safely gather in groups again.

I started with the screenplay, because realizing you’re asexual can be very isolating. As a novelist, even if I filled my novel with asexual characters, I didn’t think I’d capture the feeling of community in the same way. When I made my films, everyone working there was asexual, knew about asexuality, or learned about asexuality. (The learning was awesome.)


Here it is: Human Studies!




Thursday, September 24, 2020

Watch a government fall! (No, not ours.)

 

Confluence on sale for $0.99


Tray wanted to stay with his son…

 

… his crime-boss father-in-law had other plans.

 

Tray hated spaceships and micro-gravity, but he loved Saskia, and not just because she was a weapons expert and protector. She would have made a good step-mother, and he a good father, if they hadn’t been taken hostage on their 400-year old cargo ship.

 

Sikorsky wanted power.

 

Despite his money and his teleportation power, he had no army, and he barely had a plan. But a storm was brewing on Terrana, and Sikorsky planned to seize control. If Tray didn’t help, his family would disappear.

 

One plan was for mutiny…

 

… one for a government coup.

 

It was time to fight back.

 

You will love this sci-fi adventure, because even when the walls come down around you, your family will be there.

 

Get it now!

Monday, September 21, 2020

Self-Employee of the Month!


 I hate headshots. I know some authors like to put them on their book covers (or in their books). I know some readers like to see them. I think it's the weirdest thing. Humans are an inscrutable race. Nevertheless, every now and then I set up the green screen and the lights, I put on makeup and think about which shirt I wouldn't mind seeing the collar one in a photo, and I take a ton of pictures.

These are some that did not get selected for professional use. Now, I get to use them for entertainment purposes.

And calling back to my previous post about the many hats of a self-publisher, every one of these employees works in a different department, and they are all deserving of an award.

The awards are as follows:

  • January - Valerie the Ad Content Writer, for composition and editing of book blurbs
  • February - Valerie the Tax Accountant, for completion of business taxes
  • March - Valerie the Market Researcher, for blog promotion reconnaissance 
  • April - Valerie the Publicist, for her amazing efforts in hosting an online book launch
  • May - Valerie in Human Resources, for negotiating a contract with editing services
  • June - Valerie the Novelist, for great efforts in writing alien stories
  • July - Valerie the Cover Designer, for tireless efforts in designing seven book covers
  • August - Valerie in Advertising, for creating promos that doubled our previous month's page reads
  • September - Valerie in Layout Editing, for efforts in preparing Book 7 for publication

Seriously, indie authors. Congratulate yourself for the volume and variety of work you do. Celebrate a little bit. I can't wait to see what other awards I get this year!

This dose of happiness was inspired by the Beardo "Self Employee of the Month" comic book. If you need a slice of life comic, check him out

Wednesday, August 5, 2020

My Writing Method: From idea to first draft: A plotting method for discovery writers

How do you get a story from your brain to the paper?

For me, I've always been a discovery writer. Most of my stories start with a name and a single-word concept. A person looks out a window and sees... the world unfolds before me, but one piece at a time. It's amazing how coherent and full it seems in the end without my even trying to work out the details. When I read through later, I see all these nuggets of cool ideas that I can develop more in the edits, but those cool ideas don't come to me if I sit down to plot them. They reveal themselves to me once I write the story.


This method can be slow, and lead to hundreds of pages worth of deleted scenes that don't make it into the final novel. (I keep all those scenes, in case I can use them later, but there are definitely several novels worth of extra.) 

As I've grown, though, I have learned to streamline my discovery-writing style, and turn it into a process that helps me get closer to my goals on the first draft, without leaving me with so many deleted scenes. While plotting is involved, I do not consider myself a plotter, because much of the world-building and development is still done via discovery writing.

Here's the method I've used to get from an idea to a first draft for my last three works-in-progress.

Tools: whiteboards, legal pad, and a laptop. I choose the tool based on how my brain is working that day.

Pro Tip: Don't get so hung up on a method that you can't take advantage of how your brain is working that day.

Step 1: Concept Sketch
  • concept, cool notion, inspiration
  • thoughts about the protagonist
  • ideas about the environment 
  • ideas about the major conflict 
  • any super-cool nugget that I'm worried I'll forget when I get to the nitty gritty 
This may be only a few disjointed paragraphs filling half a page or so. I usually keep this part short, and am done in 20 minutes. I can add to this as more ideas occur to me. This list is the holding place for cool ideas or world building I'm worried I'll forget.

E.g., for my current work in progress, I set out to write a YA novella that did not feature a young super-genius orphan who had to win the guy and save the world.

Notion: Cyber-bugs
Protagonist: Asexual, tech hobbyist (has a cyber-beetle), parents are alive/supportive
Environment: Space station. There are aliens

I honestly do not need much to get started, and as I go through the other steps, I sometimes jump pack to this list and add bits of exposition (like the history of how the humans and aliens got to be on this space station) that will need to be folded in. It's easier to write exposition outside the story, so then I can streamline and feed pieces into the story in bite-sized pieces.

Step 2: Big Picture Outline

Next, I think of the big picture outline. For this, I like to use a white board. I think of a loosely 5-act structure. Where do I want to be when? I write down the numbers 1-5, then I write a sentence fragment (usually less than 10 words) about what that segment of the book is about.

Here's a rough and terrible sample plot:
  1. Someone gets sick 
  2. More people get sick, realize pandemic
  3. Sickness only targets enemies of villain. It's a weapon! 
  4. Find allies, seek cure. 
  5. Blow up space station
If I actually wanted to write the story, there'd be references to some of the things I wrote in step 1, but this is just an example. Thinking about it more deeply than this can actually hinder my discovery-writing process. 

If I were truly discovery writing, I might just start with the knowledge that Tina is in the hospital with the flu, and parts 3-5 wouldn't even be on my radar yet. So I tend not to worry if things are vague, because I've still thought more about my ending than normal, and it's throwing off my game.

Step 3: Implant Seed Scenes

Once I have those key points in place, I take any seed scenes I've sketched out and drop them into their approximate locations. 

Seed scenes are scene fragments and plot bunnies that sit in a file so that I can percolate characters and worlds before I sit down to decide what their story is. They may take place at random points in the story, and are easily jossed when certain features of the world get fleshed out and changed. When I have zero seed scenes, the first draft is pretty awful. (That's okay. That's what editing is for.) When I have 5k words or more of seed scenes, I'm much more relaxed. For some of my novels, I have upwards of 20k in seed scenes already written.

Pro Tip: Keep your seed scenes organized and title them well so that you can find them later. I have a google drive folder. 

Step 4: Discovery Sketch

Once things are sort of in place, I plow through a chapter-by-chapter outline, sketching the scene action/dialog, and writing a one sentence descriptor for what else needs to happen if I'm still a little fuzzy. 


Scene sketching for me allows me to tap my discovery-writing instincts, while omitting excessive detail and keeping the pace of an outline. Unlike the creation of the seed scenes, these scenes are generated chronologically. (Or as they appear in the book, if the book is not chronological.) I learn more about the characters and relationships, and can exploit that when I start drafting. There are a lot of gaps, and things will definitely evolve, but this helps set up flows and motivations, and ensures I have a solid beginning, middle, and end before I get too hung up on prose.

For my current work in progress (the YA novella), this took about 2 days, and I had a 15k word sketch. For a full-length novella, this might take 3-5 days. 

Since scene-sketching is very fun for me, I can devote many hours a day to this and still be super-energized. I actually have to schedule other activities, so I remember to get up and walk around. This is partly why I get so confused when people ask about writer's block. For me, writing is a very difficult thing to *stop* doing.

Step 4: The First Draft
sketch of space station
Sketch of a space station
Once the outline is done, I save the file under a new name. Exposition that's in the outline will not be in the prose of the chapter, but it's good to have later as a reference. Also, saving your file under multiple names can help later.

In the new file, I start at Chapter 1 and write all the scenes, getting into prose mode. I might skip forward to leave a note, but not back. I'll use the review/comment feature if I need to make a note about changing something I've already done. 

I start drawing maps of locations, and filling in some world building, using my whiteboards so I have the information at a glance as I write. I make sure I keep copies in a notebook. Visual and tactile notes work well for me here. 


 New chapters get added as things reveal themselves. I constantly have to remind myself "first draft, keep going, just get it out." 

I'm now about one week, and I'm at 40k words with two chapters left to go on the first draft. I usually write 80-100k novels, so my brain is very confused about how short it is, but it is in keeping with my goal for this story.

And that's how I get an idea from my brain into a first draft.